When Bloomberg reported that Spotify would be upping the cost of its premium subscription from $9.99 to $10.99, and including 15 hours of audiobooks per month in the U.S., the change sounded like a win for songwriters and publishers. Higher subscription prices typically equate to a bump in U.S. mechanical royalties — but not this time.
By adding audiobooks into Spotify’s premium tier, the streaming service now claims it qualifies to pay a discounted “bundle” rate to songwriters for premium streams, given Spotify now has to pay licensing for both books and music from the same price tag — which will only be a dollar higher than when music was the only premium offering. Additionally, Spotify will reclassify its duo and family subscription plans as bundles as well.
I switched from streaming back to my old ipod. Moding this old player was one of the best decisions in my career as music listner. The best thing about it is that my phone can run low on battery but i am still able to listen to chumbawamba.
Decentrelize your hardware!
Gotta love all my friends who are really into music who happily use Spotify and don’t give a shit it is a weapon of class warfare being used on musicians disguised as a music player!
I basically lost all my drive to make something of my love of creating music seeing how little anyone in my society actually values music or musicians in terms of material support and reward, it is honestly pretty scary how broken music has become.
I really wish there was a better alternative to push my friends to. I do use Bandcamp, so at least I know more of my $$$ are going to the artists and I can take the music with me, but I’m not sure about the platform long-term.
As a musician and composer it really took the life out of my identity as a composer seeing an alternative to bandcamp never really form and then one day waking up to it bought by Epic.
I didn’t cry that day, but I might as well have, it made me extraordinarily sad to see that headline and I imagine there are actually countless talented musicians out there who will never actuate on their creative vision because the environment for music production is at this point, downright hostile towards artists and musicians considering the amount of work music production is.
It takes an obscene amount of work to take a song from something that has promise to being as polished as listeners demand nowadays, and listeners won’t even give your song a chance on actual speakers. You have to twist and warp your music so it sounds good on essentially monophonic phone speakers with shitty frequency coverage or otherwise nobody will give it a try on speakers for actually listening to music. Doesn’t matter though, nobody is going to actually support you for the art you make.
🙃
It seems like https://resonate.coop/ is still around tho which seems like a cool idea (a coop owned streaming service where listeners can stream-to-own a song).
It seems that ampwall.com may come sometime as an alternative to Bandcamp? Time will tell…
Walk me through this.
Before Spotify, I’d buy a record (physical or digital) and listen to that. I pay the artist once. After Spotify, I buy a record and listen to it on Spotify. I pay the artist the normal record price and there’s a long tail from stream payouts (unless they don’t reach the payout threshold).
Before Spotify, if someone heard a song and didn’t buy the record, they didn’t pay the artist. After Spotify, if they still don’t buy a record, the artist now earns from stream payouts.
Finally, before Spotify, if someone bought a record but stopped buying after Spotify, the artist loses that record purchase. This is definitely bad. Was Spotify the real reason? Would something other than Spotify have pulled them away? What levels of fame are materially affected by this?
Do artists have to pay to be on Spotify? Is that the issue?
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Pirate and go to live shows.
Companies love selling you digital stuff cause they are essentially giving you nothing (as in it doesn’t cost them anything).
I agree that live shows (and buying merch) is the best way to support artists.
But the CDNs required to run a music streaming service are anything but cheap.
No matter what you think about Apple, Apple Music pays multiple times more than Spotify
And Tidal pays multiples more than Apple.
It’s up to you if you want to support artists or not.
Thank you for the information. Not a fan of putting the blame on the consumer here though. Spotify is the asshole here, not the people who want to pay for the music.
I wouldn’t assume a corporation is a moral entity, Spotify’s only goal is to maximise profit. Maybe it’s a problem of our economic system or regulations around monopolies.
I switched to Tidal after Spotify announced the price increase. The catalogue is basically identical, the apps are much more intuitive, and the audio quality is higher (they recently rolled their premium FLAC subscription into the basic one).
I had to retrain the algorithm for a bit, but that was not so difficult. There are services that can migrate/convert playlists which might actually work for favourites as well.
Also, it’s easy easier to download stuff from Tidal, which is very nice for listening to Audiobooks with a dedicated player.
Capitalism!!! USA!! USA!! USA!! 🇺🇲🇺🇲🇺🇲🇺🇲 You poor fucks don’t deserve music.
We don’t deserve music for other reasons too… like we don’t care what the lyrics are even about as long as it “sounds good.”
So… is there an alternative to Spotify for music streaming inside the EU that also has a large DB of metal? Ideally a service that gives a bigger share to the artists.
“Inside the EU” in the sense of “its headquartered in the EU” or in the sense of “available in the EU”?
either way, I’ve heard lots of people here vouch for Tidal.
It’s available in the EU. Found a promising service the other day but it wasn’t available here.
Most of them, honestly. Idk where you looked but Tidal, Amazon music, apple music, dezeer or however it’s pronounced, all were available in Spain. I stocked with Tidal because of the Linux client but apparently theybalso pay artists the most so yay.
As an edit, you mentioned metal, I listen to lots of mainstream metal bands (powerwolf, system of a dawn, dragonforce, sonar arctica, blind guardian…), some other maybe not so well known ones (tyr, alestorm, korpiklaani), and some local ones that are more rock than metal (vendetta, su ta gar, kaotiko, la polla records).
Nice, thanks for the answer. They also got a 60 day premium test period for 2 euro, so I’ll test it out.
I dont know if they have all the metal you want, but maybe Youtube Music. One youtuber has stated that he gets about twice as much per view from YT Music than he does from Spotify.
Please, people, for the love of the gods, stop using Spotify. There are numerous other services that are so much better value for your money and don’t treat artists (as much) like trash.
And that being said, try to support your beloved artists directly as much as you can. Buying digital downloads or physical media will give them more money than a lifetime of streaming ever would. Plus you get to keep the higher-quality music even if the platform or artist goes tits-up.
Could you give me some examples of alternative services? I’m paying spotify right now, but i’ll love to ditch it.
It’s not really just Spotify. I’m a hobbyist music producer. I uploaded my entire catalog through Distrokid about two years ago. Distrokid serves just about every streaming service. It costs $20 a year for the most basic package. I’ve got ~8 million listens according to Distrokid, and that nets me about $40 US. So, I made my money back. Not bad for 20 years of work. Haha!
I don’t really care about the numbers, like I said, I’m a hobbyist. I make music because I enjoy making music. It would never be my career unless I dropped everything and struck out touring trying to make it in an industry that traditionally chews up and spits out hopefuls. I’m not exactly the age or attractiveness that most people expect in a touring musician, either.
I’m not exactly the age or attractiveness that most people expect in a touring musician, either
Idk. I was happy to pay to hear Mic Jagger live and he looks like shit.
Worst case scenario, just become the new Gorillas
I mean, Spotify is a great service for the consumer. One reasonable monthly fee for most of the music in the world.
If a similar video streaming service existed for 40€/month, I’d pay for it in a heartbeat. Now I have a plethora of arr apps and a vpn, and Plex. But it’s a hassle sometimes.
We’re all aware of the issues it created for the artists, and I’d be willing to double the fee if that money directly went to the artists, but this is where the capitalist model fails, as that won’t maximize the profits for shareholders.
If we ever come up with a way to fix the underlying greed models that come with publicly traded companies, that would be great.
As it stands, it is what it is, but I’m glad we have this, instead of a “different Spotify per music publisher”.
Spotify is a great service for the consumer. One reasonable monthly fee for most of the music in the world.
Plus ads.
instead of a “different Spotify per music publisher”.
I was perfectly happy with Napster, before it got blown up.
As it stands, I’ve been leaning on SoundCloud and Bandcamp when I’m hunting for something indie and pirating or going vinyl for anything mainstream.
Spotify’s model is doomed to fail over time. Far better to own the media than stream it.
Not sure about the ads? If you mean when the app notifies you about live gigs etc. then yeah, that’s shittification. Luckily it doesn’t happen on my desk or car, but I wish it didn’t sometimes appear on my phone. That’s the one thing that might push me to add music to my video streaming arr stack.
Certain content (podcasts, most notably) insert ads into the feed above and beyond what Spotify Premium ostensibly removes. There’s also Spotify’s persistent need to blow up your phone with notifications and bloat your in-app screen, but at least some of that you can silence manually.
My wife has Spotify and she’s noticed the increased pressure to be always-online, as well. We were on a flight, and she’s got her take-off chill music, when she discovered putting the phone in airplane mood before starting up the app caused a bunch of bugs in her selection screen. Which - in the middle of a take-off that she did not enjoy - fucking sucked.
The service is definitely getting worse over time. And when you can keep an enormous library of music locally, the service becomes harder and harder to justify imho.
I’m perfectly happen to send $30/mo to Patreon for a few of my favorite artists. $12/mo for Spotify just feels like money down a well.
Spotify could charge ten times their current price - indeed, should have been, for nearly the entire catalogue of western music? even at $100/mo it would have been a steal - and even so, they wouldn’t be paying artists significantly more, or even at a reasonable rate.
The model is the problem. The middleman is the problem. The service itself is the problem. It can never work in a way that pays artists fairly as long as it requires human oversight, administration and intervention, let alone all the wasteful shit like advertising and legal overhead/payola for politicians.
Get an AI to do it right, though… puffpuff, pass
thank you. the fact that we aren’t rioting to have more automated services that pass the cost benefit on to the people is something i’ll never understand. we have the tools to build utopia but they can;t figure out how to make enough money from it.
