I could be wrong here, but it seems to me that a common aspect amongst all languages is the tendency to raise the pitch of your voice slightly when asking a question. Especially at the end of a question sentence.

If I’m wrong about this raised pitch being common amongst all languages, at the very least do all languages change their tone slightly to indicate that a question is being asked?

I guess there needs to be some way to indicate what is and isn’t a question. Perhaps a higher pitched voice reflects uncertainty. Is this something deep rooted in humans, or just an arbitrary choice when language developed?

  • Object@sh.itjust.works
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    1 hour ago

    Semi-related question since people have shown counterexample for OP’s question: Are there English sentences where the tone goes up at the end, but is not a question? It feels like that particular tone is exclusive for questions.

    • Agent641@lemmy.world
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      3 hours ago

      Russian does, because the rising intonation is the only thing that differentiates a statement from a question in many cases. Eg “You a good driver.” Vs “You a good driver?” Both are grammatically correct, and only the intonation makes it a question.

      Vietnamese doesn’t really rise at the end of the question unless that’s the way the last word is anyway. Some questions end with a low sound. Some questions are evident by a small word cluster (sounds like “Fai La”) after the subject but before the object that basically mean “this is a question and not a statement.” Or “I’m asking not telling”

  • ABCDE@lemmy.world
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    5 hours ago

    English doesn’t even go up at the end of sentences for all questions, just yes or no ones.

    • Lvxferre@mander.xyz
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      5 hours ago

      Good catch - WH-questions tend to have a pitch drop instead.

      Now thinking, Portuguese and Italian seem to follow the same pattern as English.

      • Lvxferre@mander.xyz
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        4 hours ago

        Do you really think thats true?

        “Rhetorical” questions - like this one - are specially interesting because, while they follow the syntax of a genuine question, they’re pragmatically assertions. You’re implying “this is not true”, even if you’re phrasing it as a question.

        And that phrasal pitch contour that you see in yes/no questions is dictated by the pragmatical purpose of the utterance, so if the “question” is not actually a question, it doesn’t get it.

        • otp@sh.itjust.works
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          5 hours ago

          They seem to have a rise-drop, at least when I say them.

          “How old are you?” is interesting because the rise is on the third-last word (“old”). But “How old is your daughter?” has the rise in the first syllable of daughter.

          • Deconceptualist@lemm.ee
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            3 hours ago

            That’s just emphasis. You can tell because you can shift it to another word.

            • What’s your name? (more pointed)
            • How old are you? (as if it’s now suddenly of concern)
            • Where are you from? (maybe the person has an unusual accent)
            • Where are you from? (more pointed)
            • How old is your daughter? (shifting from discussing someone else’s daughter)
            • Botzo@lemmy.world
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              3 hours ago

              I wonder if it’s more because we frame the question by altering the structure to indicate the appropriate response.

              We could just as well ask “you are from where?” Or “your name is what?” That matches the expected sentence structure of a response, and the natural pitch rises.

          • PrimeErective@startrek.website
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            4 hours ago

            I’m totally with you. I think it is somewhat speaker dependent, but that is how I would say those questions.

            What’s your NAme

            How OLD (are you)?

            Where are you FROm?

            • SkyNTP@lemmy.ml
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              3 hours ago

              You would never say

              "What’s YOUR name?

              “How old are YOU?”

              “Where ARE you from?”

              ?

              • PrimeErective@startrek.website
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                2 hours ago

                The first two have emphasis that imply something different than a simple question. Like you are asking a bunch of people individually, and you are directing each question at a specific person.

                The last one would maybe be like, if the person did something weird, and you were sarcastically asking where the are from, to imply that they were raised by wolves, or something like that.

                Point being, yes, you can ask like that, but it has different connotations than a simple question, which I think is where you would use the rising intonation.

        • PrimeErective@startrek.website
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          4 hours ago

          I guess in this example, “who is your daddy?” Is the main question, which has a somewhat flat intonation, but contrasted to the emphasis in the second half of the sentence, it feels like a rise

        • Lvxferre@mander.xyz
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          5 hours ago

          Yeah - I noticed it after reading your other comment. Fair point.

          Coupling it with info from the Mandarin article that I’ve linked, it seems to apply to declarative (yes-no) questions only.

  • Lvxferre@mander.xyz
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    4 hours ago

    I was expecting Mandarin to be an exception, since the language uses pitch to encode different words; apparently it isn’t, the speakers simply “abstract” the phonemic vs. phrasal pitch variations as two different things, when interpreting the sentence. Check figure 6.

    And while there is a particle overtly conveying “this is a question”, ⟨吗⟩ /ma⁰/ (the “0” indicates neutral tone), it seems that you can couple it with an assertive phrasal pitch to convey rhetorical questions. And other languages (like e.g. German and English, that overtly mark questions with verb fronting) show a similar pattern.

    I also found some literature claiming that it might be cross-linguistically consistent

    The most important observations are the following:

    1. pitch tends to decline from the beginning of an IP [intonational phrase] to the end, a tendency known as declination;
    2. the beginning of an IP may be marked by a local sharp rise in pitch or “reset”;
    3. in IPs that are utterance-final and/or in statements, there may be a local drop in pitch at the end of the IP in addition to any overall declination spanning the IP as a whole;
    4. in IPs that are in questions and/or are not utterance-final, declination may be moderated, suspended or even reversed, i.e. the overall trend may be less steeply declining, level, or even slightly rising;
    5. in addition to exhibiting reduced declination, non-final and interrogative IPs may also have a local rise in pitch at the end, or at least have no local drop.

    The validity of these observations, as general tendencies, is not in doubt.

    The article also lays out some potential explanations for this. The basic gist of it is, nobody knows why but everyone has a guess.

    EDIT: as another user (ABCDE) correctly pointed out, keep in mind that this works differently for open-ended vs. yes/no questions.

    • Lvxferre@mander.xyz
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      5 hours ago

      As I checked from an article, at least in Mandarin the usage of particles happens alongside the change in intonation, not at the expense of it.

      Also note that even [some? all?] Germanic languages show something similar - but instead of a particle, you get a syntactical movement (verb fronting) overtly marking the question. Examples:

      English German
      This is an apple. Das ist ein Apfel.
      Is this an apple? Ist das ein Apfel?
      The cat meows. Die Katze miaut.
      Does the cat meow? Miaut die Katze?

      In English this is slightly obscured by do-support being obligatory for most verbs, but note how it’s the same process - if you were to insert the “do” without a question, in the third sentence, it would end as “the cat does meow”.