The non-stop chimes and beeps and spoken alerts in cars in South Korea is absolutely maddening. With these constant distractions, there’s absolutely no way this makes driving safer.

Imagine passing a speed limit sign that warns of an upcoming speed bump. It will immediately start loud beeping because you’re now speeding as you roll out, while simultaneously speaking out loud what the new speed limit is, while simultaneously also saying there’s a speed bump, all while your music and navigation play as well.

Thank goodness this was vetoed.

Isn’t that exactly what OP’s screenshot is depicting?

Connecting a classic (non-Google TV) Chromecast to a new WiFi (or heaven forbid a hotel WiFi with a capture portal) was always such a pain. And casting over networks without mDNS is flaky at best and otherwise downright impossible.

By contrast, I’ve loved taking along my Chromecast with Google TV to hotels, along with:

• A VPN client installed it already,
• An Android phone that can create a WiFi AP while connected to the hotel WiFi,
• A Bluetooth speaker and my Bluetooth headphones paired to it so I get great audio as well.

This has been a complete gamechanger and a genuine upgrade over yesteryear’s Chromecasts.

Maybe Wise? I suppose it depends on your needs as not a whole lot of people use Wise.

I find it difficult to know if my flight will avoid 737 Max, so I’ve been avoiding airlines that have them in their fleet. Unfortunately, British Airways recently rebooked me onto an Alaska Airlines, and sure enough, it was a Max 8. Sometimes you just can’t win.

There are certainly consumers out there with this kind of mentality, but it’s a common sales strategy to lure new customers with a reduced subscription fee for the first months only. It evidently works, because businesses have been doing this long before SVOD services, or even the internet for that matter, existed.

I expect that indeed, a significant number of customers cannot be bothered to cancel a subscription once they begin to use it, or, put another way, perceive the value of it to be justified against the increased price. I don’t think it’s fair to call this a fake audience, because these are real users of which a certain percentage will be retained.

Another factor that probably weighs into this is the competitive race to the bottom among the many SVOD offerings that are available today. Users like you and me perceive a certain dollar amount as the maximum that we are willing to pay, but where does that figure come from? If you are a new player in this space, you are effectively capped to the current market price for subscription fees, whether or not that covers your costs.

The free market effect will gradually resolve this as services that are all currently operating at a loss will correct their price models, which is what I believe is currently happening.

I’m not disagreeing with you—the conclusion these services have taken are indeed not logical ones based on historical trends—but I’m curious how you know these services didn’t need to raise the fees? Why have you assumed that it’s to “grow infinitely”?

From my understanding, almost all streaming video providers except Netflix have been operating on a loss. That can only be sustained for so long before the parent company will need to see it begin to generate a positive revenue stream. The most straightforward way to do that is to increase subscription fees. Furthermore, the number of subscribers of Paramount+, MGM+ or even Disney+ is certainly not trending towards “infinite growth.”

I’m not justifying anything, because with five monthly services that have been hiking prices I’m looking at what to slash myself, but I was eager to encourage a bit more discourse on this topic.