100% agree, but what should be done would be to green light projects by writers of other races based on different cultures and folklores diversifying the pop culture space (for lack of a better term).
What is done instead is treating minorities as a checklist that needs to be checked in every piece of art even when it doesn’t make sense for them to be in that story.
Exactly. If the roles are the problem, write better roles! I’m surprised it’s not seen as an insult if a role is just token-swapped and “pity given” as some kinda EDI-initiative for culture points.
I would love to be exposed to more genuine characters that reflect their backgrounds. But I get a bit annoyed at this bizarre box-ticking tokenism that’s clearly pervading Hollywood, as if they ever gave a crap about anybody in the first place.
Stoking identity conflict makes them money. Lots of it. It keeps them relevant at the forefront of “the discussion” in a world where cultural relevance is literal currency.
The same corporations that’ll “champion diversity” with a “palette swap” on screen, will outsource their VFX from places with horrible working conditions, for instance. It’s all a big show and apparently lots of us are still falling for it.
100% agree, but what should be done would be to green light projects by writers of other races based on different cultures and folklores diversifying the pop culture space (for lack of a better term).
What is done instead is treating minorities as a checklist that needs to be checked in every piece of art even when it doesn’t make sense for them to be in that story.
Exactly. If the roles are the problem, write better roles! I’m surprised it’s not seen as an insult if a role is just token-swapped and “pity given” as some kinda EDI-initiative for culture points.
I would love to be exposed to more genuine characters that reflect their backgrounds. But I get a bit annoyed at this bizarre box-ticking tokenism that’s clearly pervading Hollywood, as if they ever gave a crap about anybody in the first place.
Stoking identity conflict makes them money. Lots of it. It keeps them relevant at the forefront of “the discussion” in a world where cultural relevance is literal currency.
The same corporations that’ll “champion diversity” with a “palette swap” on screen, will outsource their VFX from places with horrible working conditions, for instance. It’s all a big show and apparently lots of us are still falling for it.